Is it really difficult to cover the Chrysalis wing using Monokote
without getting wrinkles?
Is it just me, or is it really difficult to cover the Chrysalis wing
without getting wrinkles? Any help would be appreciated. (I'm using Monokote)
From : Don Stackhouse
Well, Marty, it's not so much the Chrysalis, it's the Monokote. Monokote is
an older covering, one of the very first iron-on films. At that time in
history, its ability to go around 3-D curves was amazing to those of us who
were used to Silkspan and butyrate dope. However, today things have
changed, and a number of other coverings such as Ultracote or Oracover do a
much better job of going around weird shapes. They also tend to be tougher
and more split resistant. Unfortunately, they do this partly because the
base materials aren't as stiff, so you either give up some flutter
resistance or some weight in comparison to Monokote. The Monokote is an
excellent choice because of its physical properties, but it is prone to
wrinkles, especially around the wingtips. These can be minimized with
expert technique during application, but it's tough to avoid getting one or
two in the corners.
Cover the entire wing before you start shrinking the film tight. Cover the
bottom first, trim the edges and iron them down, then cover the top. The
bottom goes fairly smoothly with just four pieces to cover the four panels,
but on top you will probably need to cover the upper side of the tips
(between rib "O" and the tip plate edge) with a separate piece (otherwise
it likes to wrinkle around the leading edge of rib "O"). Start each section
by laying the covering in position, then sticking a small patch in place
over the spar at one end with the tip of the iron. Now pull gently but
firmly on the other end over the spar, and stick that end in place. Now
tack a spot over the middle of the spar, then at the 1/4 and 3/4 points,
then the 1/8, 3/8, 5/8 and 7/8 points, then tack the entire length of the
spar. Now gently pull the covering tight in the middle of the leading edge
and tack it down. Pull snug and tack down the corners at both ends of the
leading edge, then the 1/4 and 3/4 points, etc.. Use the same technique for
the trailing edge. Make sure the covering is stuck firmly to the entire
surface of the trailing edge stock. Iron the covering down over the center
section sheeting, and along edges of the "K" and "O" ribs and the tip plate.
Now start shrinking the covering gradually, starting with the corners and
edges, then working to the areas in the middle. Do the bottom first, just
enough to get the major slack out, then do the same on top. If you get some
stubborn wrinkles around the leading edge on top, you may be able to
re-heat the area where it's stuck to the edge and gently pull the wrinkles
out. Trim the top covering and iron the edges down, then finish shrinking
the bottom snug. Hold each section of the wing flat on your building board
as you finish shrinking the top. Be careful not to overdo shrinking the
area behind the spar, it's easy to buckle the tail ends of the ribs if you
aren't careful. You can help avoid this by using the tip of the iron to
stick the covering to the edges of the ribs before shrinking it up tight.
If you did a good job of holding your wing flat during the final shrinking,
the washout (twist) in the tips should already be correct. Set the washout
in the inboard panels as shown in step 52, once again taking care to not
buckle the ribs behind the spar from overshrinking. It may take several
iterations of shrinking the bottom, pinning it down and shrinking the top,
re-shrinking the bottom, etc., before it settles into the correct shape.
Also, get in the habit of re-checking the washout every few days or
whenever the model doesn't seem to be behaving the same in flight. On new
wings the washout likes to drift a bit until all the components and
covering get used to each other. One of the drawbacks of a wing with
adjustable washout is that it sometimes wants to adjust itself! After it's
had some time to stabilize, it should settle down. It's like a new set of
guitar strings; out of tune every few minutes at first, but after a week or
two they hold a setting fairly well without a lot of readjustments.
In extreme cases you can always cut out the wrinkled area and iron on a
patch. Be careful doing this or you can simply move the wrinkle to the next
bay! ("Here, meet my Chrysalis, I call it 'Patches'")
Good luck, I hope this helps.
Don Stackhouse @ DJ Aerotech
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